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I have an article in the Creativity Workshop of the latest
Watercolor Artist magazine.
Most artists I've encountered have at least
some experience using the computer and programs such as Photoshop, typically working with reference photographs in preparation for a painting. The article deals with using Photoshop to progressively alter not a photograph, but rather a
painting, to generate new variations and abstractions. It is another way of extracting more material from an idea, and an interesting collaboration between man and machine. I started with a piece from a couple years ago,
La Falda Leventada (see pic from first page), and explained the evolution of subsequent paintings via Photoshop filters and cropping.
(I see DaVinci is giving a free triad sample of watercolors with subscriptions)
Thanks to the twenty people from the Cape Artists in Lewes, Delaware, who attended the workshop last week. I had a blast, and I hope to return sometime! (yes, I made it to the gallery in Ocean View, 5 mins before they closed)